freeskafoundation

Track List

A1-Get Ready
A2-Heaven Declare
A3-He'll Provide
A4-A.B.C.
A5-Give Him Another Chance
A6-Sitting On The Top Of The World
A7-A Man Who Knows
B1-Fever
B2-Life Could Be A Dream
B3-Give Me Your Love
B4-You're Treating Me Bad
B5-I Am Still In Love
B6-Love Devine
B7-Hello Honey

DL

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

“It was Ken Khouri’s Federal Recording Studio, the womb that gave birth to the talented writers, artists and musicians that gave Jamaica its musical identity.” Prince Buster

Federal Records was not only the place for the sound system men to record their music but it was also where they had their records manufactured and, consequently, the company enjoyed a near total monopoly on recording and record pressing in Kingston. In 1963 Ken Khouri sold his one track board to Clement ‘Coxsone’ Dodd, who established Studio One, and Ken imported the first stereo equipment to Jamaica and Federal began making stereo records. The following year WIRL (West Indies Records Limited) opened but the competition served to drive the company on to higher heights. Ken Khouri continued to work on his own productions and, in 1966, the seven inch release of Hopeton Lewis’ ‘Take It Easy’, recorded under the guidance of Trinidadian guitarist Lynn Taitt, ushered in the rock steady era.

These two essential albums showcase a stunning selection of well known hits, and not so well known rarities, from the vast Federal catalogue. All tracks have been transferred direct from the master tapes and assembled with the invaluable assistance of Ken Khouri’s son, Paul Khouri, who generously gave Dub Store unlimited access to the Federal tape vaults. The extensive liner notes feature extracts from extensive interviews with Paul Khouri whose knowledgeable recollections of working on Marcus Garvey Drive, not only as a producer but as an engineer and musician, are illuminating and educational. Both sets present an insight into the birth and growth of Federal Records and the Jamaican recording industry and are essential to an understanding of the real roots of reggae music.

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Dub Store Records is the Ska, Rocksteady, Reggae and Dancehall reissue label run by the eponymous Tokyo based record store. The label aims at accurately covering the 50-plus years of Jamaican music, and pass on many rare and magnificent recordings, which are non-commercial and highly artistic. Carefully handing down the tradition of reggae music, Dub Store Records has so far issued recordings from labels and artists such as Studio One, Federal Records (Federal, Kentone, Merritone), Jammys, Bunny Wailer's Solomonic, Derrick Harriott, Kiddus I, Redman International, King Tubby’s Firehouse, Fam's, BMN and much more to come.

● More Dub Store Records info available at www.dubstore.co.jp/en/dsr.php
Track List :
1.Hopeton Lewis - This Music Got Soul
2.Hopeton Lewis - Let Me Come On Home
3.The Zodiacs - Walk On By
4.The Termites - We Gonna Make It
5.The Dynamites - Fountain Bliss
6.Hopeton Lewis - Rock A Shacka
7.Hopeton Lewis - Don't Cry
8.The Royals - House Upon The HIll
9.The Tartans - Real Gone Sweet
10.The Tartans - Roling Rolling
11.Hopeton Lewis - I Don't Want Trouble
12.Lester Sterling - Lester Sterling Special
13.The Dynamites - If You Don't Love Me [take 1]
14.The Tartans - Don't Take That Train
15.Lynn Taitt & The Jets - Batman [Early Take]
16.Hopeton Lewis - Oh Tell Me Darling
17.The Tartans - I'm Ready
18.Henry Buckley - Take Me Back
19.Roland Alphonso - Sounds Of Silence
20.Lynn Taitt & The Jets - Batman [Early Take Rehasal]
21.The Federal All Stars - Merritone Faulse Starts 2
  DDL

Coxsone's Music is a stunning new collection featuring over two and half hours of early Jamaican proto-ska, rhythm and blues, jazz, rastafari and gospel music - charting the earliest recordings produced by Clement Dodd, in the years before he launched the mighty Studio One Records, brought together here for the first time ever.
Clement Dodd's Sir Coxsone The Downbeat Soundsystem ruled Kingston's dancehalls during this era and these recordings strongly reflect the influences of American rhythm and blues and jump jazz on Jamaican music fans. By the time the new record company formed in Brentford Road, Kingston in 1963, the young Clement 'Sir Coxsone' Dodd had already managed to release an incredible wealth of recordings by the talented musicians and artists on the island of Jamaica and this collection reflects just that:
Featuring Don Drummond, Roland Alphonso, Derrick Harriott, Owen Gray, Clancy Eccles, Count Ossie, Monty Alexander, The Blues Busters, Ernest Ranglin, Rico Rodriguez and many, many more all captured here in their formative early years.
Before Studio One, Clement Dodd released this music on a variety of his early record labels such as Worldisc, All Stars, Coxsone, D Darling (named after Coxsone's mother, who received a production credit on the label), Muzik City (named after Dodd's record store on East Queen's Street), Port O Jam, Supreme and Sensational. Sleevenotes to this collection are by Studio One authority Rob Chapman, author of the Never Grow Old and Downbeat Special books cataloguing the many recordings of the label.

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“Studio One Showcase brings together a new fine selection of classic tracks from Horace Andy, Freddy McGregor, Johnny Osbourne, Lone Ranger, Sugar Minott, The Heptones, Wailing Souls and other seminal reggae artists all recorded at Studio One in the 1970s.
By the start of the 1970s, Clement Dodd’s Studio One record label was at a crossroads. The previous two decades had given the producer and record label more success than most aspired to in a lifetime. From the mid-1950s on, the Downbeat Soundsystem had conquered all opponents – from Duke Reid to Prince Buster – and shaped and led the musical landscape of the dancehall. In the 1960s, the establishment of Studio One Records at 13 Brentford Road in Kingston, Jamaica, had led to a Ford Motors-esque production line of hits that similarly defined reggae music.
But the 1970s was to prove Clement ‘Sir Coxsone’ Dodd’s most challenging and yet ultimately the most creative decade of all. Like the most zealous and resourceful of pioneers, Studio One was about to embark on a stunning era of reinvention, adaptation, stripping down and versioning, each step of which marked new musical developments in reggae music – roots reggae, deejay, dancehall, rub a dub and more.
This album presents an overview of this exciting and ground-breaking decade of the 1970s at Studio One, during an era where, despite challenges from new producers, political turmoil, and almost constant musical and technological innovations in reggae, Clement ‘Sir Coxsone’ Dodd was able to maintain his position as the pioneering leader in reggae music, and to maintain Studio One is the number one sound in reggae music. Always.”

 Track List :

1. See A Man's Face 02:28
2. Right On Rasta 03:07
3. Jah Dread 03:57
4. What About Me 03:19
5. Time To Be Happy 05:35
6. Stick Together 05:21
7. Have No Fear 02:44
8. Just Another Day 08:19
9. Chuky Skank 02:39
10. Bredda Labba Labba 02:43
11. Stay With Me 02:20
12. People A Watch Me 03:26
13. Tribulation 03:41
14. Hard To Confess 02:42
15. Fish Tea 02:57
16. Ain't No Love 02:09
17. Send Another Moses 06:03
18. Joy In The Morning

DWLD